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Berbernest
The Vats

black with a mount · Chouara tannery, Fez · Bone white ground

The Vats

The Fez tannery becomes a zellij rosette

Chouara tannery, Fez

Size
Frame
What arrives in the box
Moulding
Classic profile, 20 mm face, in the four colours above
Glaze
Acrylic, not glass — it does not shatter in transit and weighs a third as much
Mount
2.4 mm conservation board, acid-free, bevelled at 45° so the white core shows as a clean diagonal
Mount width
50 mm on every size, wide enough to give the picture room rather than edge it
Paper
Enhanced matte art, 200 gsm, giclée with pigment inks
Hanging
Arrives strung and ready. Nothing to assemble
  • Giclée on 200gsm archival matte, pigment inks
  • Printed to order in Europe and posted to you
  • Framing is optional, and framed prints arrive ready to hang

About this piece

Seen from the terrace above, the dye pits at Fez are a grid of round stone vats full of saffron, madder and indigo, and the men move between them on the walls. Seen from slightly further away they are a rosette. The tannery has been working since the eleventh century in a city whose other great craft is cutting that same geometry out of tile, and this piece is the argument that those two facts are related.

Made in our atelier

Composed here, from a brief we wrote, in the manner of mid-century photomontage. Nothing in it is taken from anybody else’s collage — which is why we can sell it to you, and why it can be recoloured to your room without asking anyone’s permission.

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