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Berbernest
The Olive Basin

black with a mount · Menara, Marrakech · Basin dug c. 1157

The Olive Basin

Menara gardens · Basin dug c. 1157 · Menara, Marrakech

Size
Frame
What arrives in the box
Moulding
Classic profile, 20 mm face, in the four colours above
Glaze
Acrylic, not glass — it does not shatter in transit and weighs a third as much
Mount
2.4 mm conservation board, acid-free, bevelled at 45° so the white core shows as a clean diagonal
Mount width
50 mm on every size, wide enough to give the picture room rather than edge it
Paper
Enhanced matte art, 200 gsm, giclée with pigment inks
Hanging
Arrives strung and ready. Nothing to assemble
  • Giclée on 200gsm archival matte, pigment inks
  • Printed to order in Europe and posted to you
  • Framing is optional, and framed prints arrive ready to hang

About this piece

The pavilion is the photograph everybody takes and the basin is the reason it is there. Almohad engineers cut a reservoir to irrigate an olive grove and fed it from the Atlas through a khettara, an underground channel, so the water arrives without evaporating on the way. What reads as a beauty spot is twelfth-century hydraulics that still works.

Still water, olive, snow on the Atlas

A place, not a work

This is a real address in Marrakech, painted from the geography rather than from anybody's canvas. You can stand where this was painted.

This is one of the seventeen places you can have your own animal painted into. Paint your pet here.

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