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Berbernest
Ink and Interlace

black with a mount · Fez · Manner of the fourteenth century

Ink and Interlace

Marinid illumination · Manner of the fourteenth century · Fez

Size
Frame
What arrives in the box
Moulding
Classic profile, 20 mm face, in the four colours above
Glaze
Acrylic, not glass — it does not shatter in transit and weighs a third as much
Mount
2.4 mm conservation board, acid-free, bevelled at 45° so the white core shows as a clean diagonal
Mount width
50 mm on every size, wide enough to give the picture room rather than edge it
Paper
Enhanced matte art, 200 gsm, giclée with pigment inks
Hanging
Arrives strung and ready. Nothing to assemble
  • Giclée on 200gsm archival matte, pigment inks
  • Printed to order in Europe and posted to you
  • Framing is optional, and framed prints arrive ready to hang

About this piece

A carpet page is the one surface a workshop was allowed to show off on: a full field of interlaced knotwork in gold, lapis and deep red before a word of text. The Qarawiyyin at Fez has been lending books like this since 859, which makes it the oldest working library anywhere.

Lampblack, lapis, gold

A living tradition

This comes from a craft people still practise. It is nobody's private property and it is not nobody's work either: it was made, over centuries, mostly by women whose names were never written down. We say so rather than call it anonymous.