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Berbernest
The Sign

black with a mount · Casablanca · Grammar of the 1960s

The Sign

In the grammar of the Casablanca School · Grammar of the 1960s · Casablanca

Size
Frame
What arrives in the box
Moulding
Classic profile, 20 mm face, in the four colours above
Glaze
Acrylic, not glass — it does not shatter in transit and weighs a third as much
Mount
2.4 mm conservation board, acid-free, bevelled at 45° so the white core shows as a clean diagonal
Mount width
50 mm on every size, wide enough to give the picture room rather than edge it
Paper
Enhanced matte art, 200 gsm, giclée with pigment inks
Hanging
Arrives strung and ready. Nothing to assemble
  • Giclée on 200gsm archival matte, pigment inks
  • Printed to order in Europe and posted to you
  • Framing is optional, and framed prints arrive ready to hang

About this piece

One flat field and a single Amazigh-derived mark — a comb, a diamond — set on it as a graphic sign. The marks come from tattoo and weaving, where they were a written language that outsiders read as decoration. Putting one on a canvas at this scale was a political act in 1965 and reads as a design decision now.

Natural pigment, henna, black

Grammar, not a work

The artists of this movement are still in copyright and none of their paintings are reproduced here. What we take is the grammar — the flat fields, the hard edge, the refusal of the easel — the way a painter takes a manner without taking a picture.